![]() The end arrived too soon but featured a stirringly reworked version of Colvin’s best-known work, the Grammy-winning “Sunny Came Home” (which she described as “a murder ballad”) and a rousing Celtic-styled take on Earle’s “Galway Girl,” featuring more of his mandolin picking.Tags: ACL Live,, Allen Toussaint, Austin City Limits, Austin Vintage Guitars,, Beyerdynamic DT770 Pro, Beyerdynamic headphones,, Billie Holiday, Billy Crockett, Black Fret,, Blue Microphone, Blue Rock Artist Ranch and Studio, Blue Rock Studio, Blue Snowball, Bluebird,, , Bob Marley, Bobby Arnold, Bruce Springsteen, Chris Smither, Christopher Cross,, Chuck Pinnell,, Collings DS2H, Collings Guitar, Collings mandolin, Collings MTO Mandolin,, Dave McClinton,, David Gilmour, David Goodrich,, Dick Dubois, Dick Dubois Guitar Repair, Dodee Crockett, EDIE CAREY,, Emmylou Harris,, Epiphone F-45 Cortez, Epiphone Guitar, Epiphone Texan,, Erin Ivey,, /ErinIveyMusicPage, Goody, Grammy Festival at Sea,, Guild guitar,, Hamilton Pool, HANSON,, Harriet Wheeler, HEART,, , INDIGO GIRLS, /erinivey, JD Souther,, Kodaly, Kyser Capo,, Linda Ronstadt, Lost Girl, LR Baggs, LR Baggs Element,, M Music & Musicians Magazine, Martin 000-16, Martin Guitar, Martin Strings,, Merlin David,, Neumann KMS 105 mic,, Patrick Conway,, Paul McCartney, Pedernales Studio, Pink Floyd, RALPH STANLEY, SHAWN COLVIN,, Shure microphone, Shure SM58,, , Solace in the Wild, Suits, Taylor Hanson, The Client List, The Recording Academy, The Sundays, /erinivey, WILLIE NELSON Earle returned the favor on her song “Diamond in the Rough,” for which he played an octave mandolin to add texture, especially on the song’s buildup. Earle’s “Fearless Heart” was especially potent, with Colvin’s guitar also enhancing it dramatically. The blending of these two voices often heightened the strength of their songs. A beautiful version of Earle’s “Goodbye” was an early standout, with the country-folk tune’s elegiac feel enriched by gentle picking and his deep baritone, while a subsequent cover of Townes Van Zandt’s “Pancho and Lefty” further cast a welcome spotlight on his vocal powers. Even the genesis of the tour was worked into the storytelling, as Earle noted: “This tour was Shawn’s idea, put together largely by text.”īut the songs themselves did the heavy lifting. There also was an obvious mutual admiration for each other’s talents, making for a rich, remarkably relaxed 110-minute performance. She didn’t, and the ill-fated romance gave rise to the melodic confessional she sang with wistful grace Saturday. Her original song “Another Long One” featured a funny tale about getting hired by Suzanne Vega as a backing vocalist in the late ’80s but being warned to stay away from the drummer. “I found my niche and there it is.”īut as Colvin proved repeatedly, there are plenty of nuances left to explore amid the ups and downs of relationships. “I only write breakup songs,” she added, garnering laughs. Then it was Colvin’s turn: “It’s really an honor to be up here with Steve,” she mentioned, noting how many different topics Earle has tackled. ![]() One of the more rousing tracks on Earle’s outstanding 1988 album “Copperhead Road,” it was delivered by the author accompanied only by his guitar while occasionally blasting away on his harmonica. Other times, specifically during an inviting opening take on the Everly Brothers’ “Wake Up Little Susie” and a wondrous, flamenco-tinged version of Gnarls Barkley’s “Crazy” later in the show, they played favorites simply for the sheer fun of it.Įarle offered the first original of the night, “The Devil’s Right Hand,” which enabled him to talk about growing up in Texas, where he liked to hunt and fish, and how he now celebrates the song’s enduring message about gun control. ![]() ![]() The aptly named program “Songs and Stories, Together Onstage” was just that Saturday night at City National Grove of Anaheim, as singer-songwriters Shawn Colvin and Steve Earle teamed for an easygoing acoustic concert where they shared details about the events that inspired specific pieces before masterfully performing them. ![]()
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